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All GADDI, Taddeo 's Paintings
The Painting Names Are Sorted From A to Z

ID Image  Painting (From A to Z)       Details 
6760  
Allegory of the Cross sg, GADDI, Taddeo
  		 Allegory of the Cross sg   Panel Santa Croce, Florence
6754  
General view of the Baroncelli Chapel sg, GADDI, Taddeo
  		 General view of the Baroncelli Chapel sg   1328-30 Fresco Cappella Baroncelli, Santa Croce, Florence
40137  
Life of the Virgin, GADDI, Taddeo
  		 Life of the Virgin   mk156 1300-66 c.1330 Fresco Baroncelli Chapel
64730  
Life of the Virgin, GADDI, Taddeo
  		 Life of the Virgin   1328-30 Fresco Cappella Baroncelli, Santa Croce, Florence Taddeo Gaddi, one of Giotto's pupils painted the Baroncelli Chapel in the church of Santa Croce in Florence around 1328, brilliantly employing the technical achievements of his teacher. His scenes for the Life of the Virgin were painted with two goals in mind. First, to compose the painting so that it corresponded to the form of the chapel bay, which was arched. Second, by means of the architecture of the painting itself, to create a sufficiently deep stage for the sequence of events to be played out. Gaddi came up with an ingenious solution for the upper section directly under the arch. He placed the architecture of the temple directly beside a cliff which looms up on the right so that in the the upper section a quatrefoil shape is created, an open space out of which he let an angel descend. This served to link the scenes Joachim Driven from the Temple and the Annunciation to Joachim. The sections below, with their alternating interiors and exteriors, appear as sets in front of which, and in which, the events take place. From the Meeting at the Golden Gate (top left) we move on to the Birth of St John the Baptist, the Virgin on her Way to the Temple, and finally the Betrothal to Joseph. As in San Francesco in Assisi, the architecture of the painting is closely linked to the architecture of the church, the continuous narrative to the way a viewer reads. Artist:GADDI, Taddeo Title: Life of the Virgin, 1301-1350, Italian , painting , religious
6755  
Life of the Virgin (detail) sdg, GADDI, Taddeo
  		 Life of the Virgin (detail) sdg   1328-30 Fresco Cappella Baroncelli, Santa Croce, Florence
6757  
Life of the Virgin (detail) dfhh, GADDI, Taddeo
  		 Life of the Virgin (detail) dfhh   1328-30 Fresco Cappella Baroncelli, Santa Croce, Florence
6756  
Life of the Virgin (detail) dwry, GADDI, Taddeo
  		 Life of the Virgin (detail) dwry   1328-30 Fresco Cappella Baroncelli, Santa Croce, Florence
6763  
Life of the Virgin dgss, GADDI, Taddeo
  		 Life of the Virgin dgss   1328-30 Fresco Cappella Baroncelli, Santa Croce, Florence
6762  
Life of the Virgin sg, GADDI, Taddeo
  		 Life of the Virgin sg   1328-30 Fresco Cappella Baroncelli, Santa Croce, Florence
6764  
Madonna and Child Enthroned with Angels and Saints sd, GADDI, Taddeo
  		 Madonna and Child Enthroned with Angels and Saints sd   1355 Tempera on wood, 154 x 80 cm Galleria degli Uffizi, Florence
6759  
Presentation of Mary in the Temple dsg, GADDI, Taddeo
  		 Presentation of Mary in the Temple dsg   1327-30 Fresco Cappella Baroncelli, Santa Croce, Florence
23294  
Saint Eligius in the Goldsmith's Shop (nn03), GADDI, Taddeo
  		 Saint Eligius in the Goldsmith's Shop (nn03)   c 1365 Tempera on panel 35 x 39 cm 13 3/4 x 15 3/8 in Museo del Prado Madrid
6761  
Stigmatization of St Francis s, GADDI, Taddeo
  		 Stigmatization of St Francis s   Stained glass window Cappella Baroncelli, Santa Croce, Florence
29698  
The Adoration of the Shepherds, GADDI, Taddeo
  		 The Adoration of the Shepherds   mk67 Tempera on panel 18 7/8x16 15/16in
6758  
The Angelic Announcement to the Sheperds fg, GADDI, Taddeo
  		 The Angelic Announcement to the Sheperds fg   1327-30 Fresco Cappella Baroncelli, Santa Croce, Florence
GADDI, Taddeo
Italian Early Renaissance Painter, ca.1300-1366 Italian painter active in Florence. He was the son of a painter and mosaicist and a student of Giotto. His best-known works are frescoes in the church of Santa Croce in Florence. He directed a flourishing workshop for three decades, producing pictures in the style of Giotto but featuring more vivid picturesque effects with narrative detail. His son and pupil Agnolo (c. 1350 C 96) was an influential and prolific artist who likewise produced a notable series of frescoes for Santa Croce, The Legend of the True Cross



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